As Canada 150 draws nearer, those committed to supporting Indigenous sovereignty and dislodging the power of colonialism are faced with the task of dispelling the myth of Canada as a benevolent nation. While the expanding grip of neoliberalism has given rise to a reactionary global right-wing populism, the violence of supposedly “progressive” liberal settler-colonial states has fallen through the cracks of popular analysis and comprehension.
In Vancouver, there is no image of nature that is not at the same time an image of private property. Possession structures the visual culture and economy of the image. Whether this image is a meticulously crafted photograph for a condo advertisement staged in False Creek, or a self-portrait posed for at the top of Grouse Mountain, almost always the photograph is invested with an inflated sense of status, projection, and desire. And regardless of whether the image circulates on Instagram or Twitter, Grindr or the gallery system, the image is strictly that of appearance, never perceived as the product of labor or violence. Its value is measured by likes, dates,♡, second dates, re-posts, and most importantly, in the context of real estate, the inflation of the property’s price-tag. The possession of nature goes hand-in-hand with nature’s commodification.