GreatFire


Last week Vancouver was immersed in smoke from forest fires across Northern and Southern British Columbia. The smoke seemed to speak, without speaking, about our present uneasy condition. On this occasion, The Mainlander has decided to publish the long-delayed online version of a small chapbook, ‘Five Images of a City Without Buildings,’ originally published in 2012 by the artist collective coupe.

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Model Minority is a publication assembled by Gendai, a non-profit visual arts organization that engages the East Asian diasporic community in Canada. This volume is a collection of research in the form of essays, articles, and commissioned artist projects that broach the subject of “model minority” in North America. By combining artists projects with archival material, academic research and recent political activities, the book investigates a territory usually given exclusively to social sciences.

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This Sunday an unusual Affordable Housing Rally will be held at the Vancouver Art Gallery. The stated goal of the rally is to attract Vancouver’s middle class residents, “young professionals,” and “well educated people” who #DontHave1Million. In the words of the organizers, the rally seeks to amplify the voices of those “increasingly incensed population of Vancouverites who by comparison live pretty privileged lives.” In a city with deepening poverty and a long history of working class housing movements, the event has been interpreted as a bold shift towards highlighting the housing aspirations of Vancouver’s relatively affluent.

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What better place to start than with the development’s aggravating name? The Independent. An adjective made noun with a definite article, it stands alone not just in light of the word’s meaning but in its semantic structure. It embodies a built space at the same time it embodies a lifestyle. Tossing all subtlety out the window, it condescends to you in equating a space with some whitewashed version of bohemianism. It is a name that digs its heels into cultural anxieties over distinguishing oneself from the masses, and slaps you in the face with its promise to make you stick out.

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In late November, 2014, Du Na Phuong (Tony) was shot by the Vancouver Police Department at the intersection of Knight Street and East 41st Avenue. Du, age 51, was waving a two-by-four plank of wood on the east side of the street. No people were nearby and nobody reported being threatened, yet police shot Du within one minute of arriving at the scene.

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This spring, the provincial government will be asking Metro Vancouver residents if they approve of a new TransLink funding proposal. The social democrats are coming out of the woodwork to throw their weight behind the ‘Yes’ side in the referendum, as though it were some kind of grand cause. In reality, neither a ‘yes’ vote nor a ‘no’ vote will have an impact on the political direction of transit in our region: privatization, criminalization of the poor, racial profiling, and ‘service’ geared to corporate profits rather than people’s needs.

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Every year, community members gather at Main and Hastings to honour missing and murdered women and girls. In the absence of meaningful action at the institutional level, the march meaningfully bears witness to the disappeared. I took these photos in Vancouver’s Downtown Eastside at last year’s February 14th (2014) Women’s Memorial March. First held in 1991, this year the march will take place on Saturday at noon.