mythML

Public Event
with Jackie Wong, Henry Yu and Pablo Mendez

The Foreign Investment Myth:
Understanding the Housing Crisis & Confronting Racism in Vancouver

7PM, Monday, June 10th, 2013
SFU Harbour Centre (Room TBA)
Vancouver, Unceded Coast Salish Territory

There has been a growing consensus that the lack of affordability in our city is caused by foreign investment from Asia. Since the 1980s, this narrative has relied on Vancouver’s historic penchant for racial scapegoating while downplaying the actual causes of the current housing crisis. In lieu of basic questions about land-use and housing policy, affordability has been reframed around vague racist imperatives. As a result, the reality of the housing crisis has been obscured.

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On Monday hundreds of people, including many Turkish Vancouverites, gathered outside the Vancouver Art Gallery in solidarity with the ongoing protests in Turkey. Addressing the broad anti-government protests in Istanbul and throughout Turkey, speakers at the VAG condemned the Turkish government’s undemocratic tactics, police brutality against the protests, media blackouts, and religious fundamentalism.

Some organizers drew attention to the original event that sparked the movement. “What started everything was a public space, Gezi park in the city centre…The government decided to turn that into a shopping mall and that wasn’t even a lawful decision. There’s a court decision against it,” said Ozgur Sapmaz, a volunteer organizer of the rally at the VAG.

“People occupied the park to prevent construction machinery from getting in there, which was about to start chopping down the trees. There were about 100 protesters there, who started sitting in, setting up tents. Cops came and tried to kick them out, and they used really brutal force…It started getting attention from the artist community. It became this massive resistance against the construction effort.”

Despite the distance between Vancouver and Turkey, the events in Gezi park bring to mind local history. There was the fight to save the entrance of Stanley Park in 1971, the Crab Park occupation in 1984, the successful UBC student campaigns from 2007 – 2009 to stop the privatization of the centre of campus and the UBC Farm, the Olympic Tent Village, Occupy Vancouver, and many other squats and tent cities. If the destruction of Gezi Park — a seemingly innocuous and unexceptional event — can spark such an uprising in Istanbul, could the same not happen here?

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The City of Vancouver has recently announced that it will be using four city-owned sites to develop affordable housing. The announcement has been widely praised even though the policy contains no guarantee that the rents will be affordable.

The four sites proposal approved by council does not specify rent levels or rental mix in the proposed buildings. Like previous Vision Vancouver initiatives, the project is clad in vague and uncertain terms that prioritize market profits over affordability. Worse still, the affordability requirements will be decided behind closed doors and hidden in a private “operating agreement.” This means that the public will never know how many units will be affordable or what the rents will be.

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The Pervert’s Guide to Ideology
Dir: Sophie Fiennes
May 5 at the DOXA Film Festival

Sophie Fiennes’ new film, The Pervert’s Guide to Ideology, follows Slovenian philosopher Slavoj Žižek on a Virgilian tour through the labyrinths of popular culture. As in many of his seventy or so books, Žižek deploys the ideas of Jacques Lacan, Karl Marx, and Walter Benjamin to shed light on the intricate operations of ideology in cinema, TV ad campaigns, and popular music. Here, the emphasis on pop culture serves a two-fold purpose: it exposes the extent to which we denizens of a supposedly “post-ideological society” are entangled in the cobwebs of ideology, and it makes abstruse psychoanalytic and philosophical optics thoroughly palatable to large audiences (a tactic that in large part accounts for Žižek’s veritable intellectual guru status both inside and outside of academia).

For Žižek, following French psychoanalyst Jacques Lacan (whose revival in academic circles Žižek has played no small part in instigating), ideology is not merely a false screen that obstructs our perception of the way things really are. Reality, for Lacan, necessarily “takes on the structure of a fiction.” We understand the world around us and our roles within it primarily through fragmentary narratives that permeate the cultural sphere. As such, television, film, advertising, and the social networking sites to which so many of us are addicted teach us not just what to desire, but how to desire in an increasingly virtual world.