The various iterations of the “Escaping Vancouver” narrative share a core unexamined underpinning: the idea that I, a hard-working, usually white, middle class person, did everything right, became successful, and yet am still unable to afford to live in the city of my choice. We must challenge the embedded privilege that characterizes what might be termed “middle class self-help advocacy”—the tendency to rely on individualized solutions to collective social problems.
What follows is a personal essay written by a long-term resident of Belvedere Court, Sean MacPherson. The Belvedere is a rental apartment in Vancouver that has recently been in the news following a wave of efforts to evict, intimidate, and coerce the residents into leaving their homes. In response, tenants have organized – with the support of the Vancouver Tenants Union – to protect their right to housing and preserve Vancouver’s vital affordable rental stock.
Vancouver Mural Festival, at the core of its structure, does not represent a culturally diverse or marginal perspective as you might expect from a mural festival. Instead it is the initiative of a group of predominantly white men who have built alliances, not with the everyday people of Vancouver, but with real estate developers, Business Improvement Associations (BIAs) and the City government.
On a cold Saturday night in January a haphazard line-up has formed outside the Fox Cabaret. Everyone is underdressed – young women with leather jackets draped over tank-tops and men with tight black jeans, thin t-shirts, and undersized polo hats. Above, the refurbished façade glows red, hinting at the building’s previous incarnation as a worn-down porn theater. However, the crowds outside are not here to enjoy “adult entertainment,” they have come to dance at one of Vancouver’s up-and-coming nightclubs.