Vision Vancouver, Vancouver’s ruling party, won an election in 2008 by promising to “end homelessness.” But since that time, the party has adopted a housing strategy that only causes homelessness: gentrification of the Downtown Eastside.
City hall is actively pushing condo development eastward. In 2009, the city placed a de facto moratorium on condo development in much of the central business district. Simultaneously, they have been incentivizing gentrification of the Downtown Eastside (DTES) through tax breaks (see our previous article “Lowest corporate taxes in the world at heart of Vancouver’s housing crisis“).
What is most concerning is that this model of gentrification is a major component of Vision Vancouver’s “affordable housing plan.” Affordable housing tops most issue polls, but instead of creating true affordability, Vision has deployed the popular issue of affordability in order to market gentrification. Land is relatively inexpensive in the inner city, so developers can make unprecedented profits building condos for less costs than in the central business district. These condos remain unaffordable, and are far more expensive than the units they replace.
The City’s long-overdue housing plan released this summer highlights the Westbank Corporation’s gentrification project at 60 W. Cordova as a “Pilot Affordable Home Ownership Project.” The city planning department is now expending significant resources to work with developers to roll-out this gentrification model. Here are four examples:
1. After the illegal eviction of low-income tenants from the American Hotel, the city worked with the developer to convert the building into condos and market the development as “Affordable Home Ownership” (see here for an article on the American Hotel conversion). Recently, Vision councilor Kerry Jang has gone on record promoting the redevelopment of the American Hotel as evidence of council’s commitment to “affordability.”
2. The Salient Group is preparing to begin selling condo units at their newest gentrification project called “21 Doors,” at 334 Carrall across from Pigeon Park. The building used to house low-income families, and the owner allowed the site to fall into disrepair. In March 2008, the 20 low-income households living in the building were evicted by developer Robert Wilson. (Wilson had been buying up properties in the Downtown Eastside and ‘flipping’ them for profit. He sold seven buildings to the province for $28 million, for a profit of a estimated $12 million). Robert Fung of Salient Group, developer for 334 Carrall, is now marketing the units as ‘affordable’: “This is really ‘small A’ affordable housing. It’s much more affordable than our other product. The unit sizes are small but livable.” Again, these units of are far more expensive than those they are replacing.
3. This past week, Westbank Corp. announced it is planning a 17-story condo tower at the corner of Main and Keefer in Chinatown. The tower will include 145 “regular” condo units. This is one of many towers that developers and City Council have planned for Chinatown. Westbank claims that their tower will contain 24 units of senior housing in addition to the 145 condo units. It is important to recognize that these token units will not make up for the lost affordable units throughout the neighborhood. There are about 350 Chinese seniors in Chinatown alone, and over 10,000 low-income residents in the DTES/Chinatown area. A recent report by Tsur Somerville, Azim Wazeer and Jake Wetzel of UBC’s Sauder School of Business shows that the need for Chinese seniors’ housing is “overwhelming.”
4. A similar fate faces the old Pantages Theatre, next to the Carnegie Centre and across from Insite. After twice rejecting plans to save the Theatre and build social housing on adjacent lots, Vision City Council has been working closely with developer Marc Williams to build 80 condo units on the site. The low-income community has mobilized strongly against the project (see here for details). This week, COPE candidate Ellen Woodsworth came out against the project, saying “The hundred block of Hastings is not a place for high end condos.” The NPA and Vision have remained supporters of this gentrification project.
It is unfortunate, but not accidental, that ‘Affordable Home Ownership’ has become a codeword for gentrification. The notion of using the concept of affordability to market condos in the Eastside was first honed by condo ‘king’ Bob Rennie. The Woodward’s and V6A developments in the DTES were test runs for the marketing model. In May 2006, Rennie told the Urban Development Institute: “My goal was to establish a marketing model that would allow the fortunate and less fortunate to walk down the street together.” Money was to be made by going where land was cheap – where poor people live. Poor people hold property values down until investors can take advantage of what gentrification scholars call the “rent gap,” defined simply as the practice of buying low and selling high, resulting in a “rent squeeze” and eventual displacement.
The links between Vision Vancouver and Bob Rennie are strong, and have been for years. Rennie donated $75,639 dollars to Vision Vancouver in 2005, and worked closely with Vision founder Jim Green on the Woodward’s project. Some have argued that Woodward’s is not a gentrifying force, but this is patently false. As the project neared completion in the lead-up to the Olympic Games, property values increased and property owners made the decision to evict low-income residents from three SRO hotel buildings directly across from the Woodward’s: the Golden Crown, the Argyle, and Burns Block (which has since been turned into ‘affordable’ micro-lofts). Since that time, gentrification of the area has become near “complete.” Even the Red Gate and its awesome artists have been evicted from the 100 block of West Hastings.
Rennie infamously called on consumers to “Be bold or move to suburbia.” Indeed, displacing poor people is bold, but it is not courageous.
Other groups are calling for a truly courageous response: to join the poor in solidarity, and boycott these condo developments. Through this past week, a group of grassroots housing activists gathered at busy intersections across the city, holding giant banners reading “Boycott Pantages Condos.” Dave Diewert, organizer with the Boycott DTES Condos campaign, told The Mainlander: “The goal of the action is to insert into the public space and consciousness the call for a condo boycott at Sequel 138 [the Pantages condo development]. The leaflet that accompanies the banner provides information on the reasons why purchasing a condo there would be unethical because of the harm it will inevitably unleash on low-income residents currently living on the 100 block east Hastings.”
Of the three major civic parties, only COPE has shown the courage to do the right thing. This past Wednesday, COPE’s Ellen Woodsworth held a press conference in front of the demolition site of the old Pantages Theatre, and COPE says they are “committed to calling for a condominium development moratorium in the Downtown Eastside until sufficient low-income housing is in place.” Unfortunately, COPE is only running three candidates for Council, while their partner Vision Vancouver remains committed to the developers’ gentrification plans.
The choices are clear in the upcoming municipal election. We can join forces with developers and Vision Vancouver, who are committed to using the affordability crisis as a “marketing model” to gentrify the Downtown Eastside. Or we can join forces with the low-income community, boycott DTES condos, call for a moratorium on DTES condo development until the low-income community’s assets are secured, and demand real affordable and ethical options for residents throughout the city. This will include reactivating the city’s feeble Public Housing Corporation, expropriating undeveloped lands, and flooding the market with affordable public housing.

AC
October 17, 2011 at 9:52 am
Your research looks sound, and I’m not disputing anything above. However, what’s actually wrong with gentrifying the DTES? Supposedly, this area has been a drug haven since the early 1900s, which is much too long, reeks of non-profit enabling and corrupt officials. It’s also the historic core of the city, with some rotting but salvageable architecture. There’s no valid reason why addicts and the poor should continue to dominate this part of Vancouver and continue to give this city its embarrassing black eye. That being said, it’s unconscionable that in being displaced these people should not be responsibly housed or offered treatment elsewhere (concentration of services in one area for addicts hasn’t fixed the problem, and helps dealers easily find their clients), and ensure these success stories are heard. If this isn’t happening, then we have failed. We’re responsible to pressure our elected governments to fulfill social moral obligations, otherwise we’re all culpable in this Stalinesque-oppression. Just shifting the problem to other neighbourhoods is no solution, Mr Mayor. As the DTES residents and homeless come from all parts of Canada, this requires federal commitment too, Mr Prime Minister…
same old
October 17, 2011 at 10:21 am
How many new housing units has the mainlander created? Zero
The City didn’t work with the developer who evicted tenants from the American. It had been sold to another developer long since the eviction, and instead of turning into a condo tower, now has about 30 apartments that rent anywhere from $375 to $800.
one of many distorted facts and errors, which is par for the course on this website.
Tristan Markle
October 17, 2011 at 11:38 am
@sameold
Yes, in both the case of the American and 334 Carrall, the previous owner evicted the low-income residents and a new developer (working with the city) built the condos. In fact “eviction” is a service that the previous owner sells to the new developer, as a commodity. That is precisely the most common order/process of gentrification in the DTES – a trend that should be clarified in order to halt it.
Joseph Jones
October 17, 2011 at 11:26 pm
AC says: “Rotting but salvageable architecture.”
Like the Pantages? Funny how the City of Vancouver allows DTES property owners to rot out irreplaceable buildings so CoV can then facilitate substandard demolition practices, offer inexcusable property tax breaks for temporary community gardens, hand out massive STIR giveaways, wink at crappy development to maximize margin, etc.
Dingy example of crap development is Sequel 138 proposal to use hardi panel! Even the comprador Urban Design Panel could not stomach that package — which city planners had allowed to proceed. UDP shot that scam down with a 0-7 vote.
Andrea C.
October 18, 2011 at 11:17 pm
Have a look at the design specs at http://vancouver.ca/commsvcs/planning/rezoning/applications/601-627main/index.htm and tell me this development is acceptable in any way, shape or form.
Lisi
October 19, 2011 at 10:50 am
Westbank is related to the Kwok family,which is the second largest real estate developer in Hong Kong after Li Ka-Shing. Brent Toderian and councilors are dealing with really powerful developers and they need tact to get what the city seriously needs.
Andrea C.
October 19, 2011 at 6:43 pm
How are the Kwoks related to Westbank? Is it through a previous project? I’m not afraid of the Kwoks (or Westbank), even if City Hall is. Apparently, not everyone is genuflecting reverently in Hong Kong either. Check out the above post on Occupy Hong Kong.
Lisi
October 19, 2011 at 10:26 pm
I found this at the Westbank website (what a weird name for the developer!): “The relationship with the Kuok family continues to this day with the two Shangri-la Hotels, Vancouver and Toronto under construction, which were developed with Ben Yeung at the Peterson Investment Group.”
I am aware of the Occupy Hong Kong but not sure how much positive change the movement can bring. Money rules there and the problems are far more profound than what we have here in Vancouver.
Charles
October 19, 2011 at 11:54 pm
The Pantages Project was twice rejected by the City. Had foolishness not prevailed, here is what owner Marc Williams and the Pantages Theatre Arts Society would have achieved:
— restoration of a 650-seat heritage theatre, a dazzler with, perhaps, the finest acoustic in the city
— construction of a new lobby, a 99-seat blackbox / rehearsal space, and a community art gallery in the old lobby
— a breezeway connecting East Pender to East Hastings
— 136 units of social housing; yes, 136
This would have led to a renaissance of new life, new energy, and new art on the Hastings Corridor. Williams and PTAS tried for over FOUR YEARS to make it work.
Years from now, people will wonder how the City could have been so stupid as to say “no” to the Pantages. It was a GREAT project.
Charles
October 20, 2011 at 12:12 am
Please permit me to add two operant details about the Pantages Project:
1. the non-profit Pantages Theatre Arts Society, which would have managed the theatre, signed an agreement with owner Marc Williams. PTAS would have leased the theatre, and ancillary facilities, for $1.00 (one dollar) a year.
The 136 units of social housing would have been operated by an entirely separate non-profit.
2. As was communicated to every member of the current City Council, the late Prof Abraham Rogatnick pledged $1 million (one million dollars) to the Pantages Endowment.
This extraordinary gift would have allowed PTAS to make the theatre available at the lowest possible cost to user groups in the DTES, and to performing arts groups generally.
Prof Rogatnick’s pledge, well-documented and well-known, was never properly acknowledged in his lifetime. Like the Pantages itself, his generosity deserved a better outcome.
Andrea C.
October 20, 2011 at 11:33 am
Gimme a break, Charles.
Loving landlord Marc Williams let the Pantages go to shit.
What did Mr. Williams want from the city in return for his “benevolence”? Do tell.
And tell us how Mr. Williams applied for the readily available millions from federal programs. He didn’t, because those generous programs entailed a commitment to actual heritage renovation, not a developer’s bonanza intended to extract the largest possible amount of concessions and perks from the city. City Hall is a villian, too. It should have bought the Pantages long ago, before the likes of Marc Williams and his slimy landlord predecessors ever got their hands on the place.
Nice try, but this is The Mainlander, not City Caucus or FB or wherever else.
Andrea C.
October 20, 2011 at 11:40 am
Lisi, thank you for your research. Things become much clearer now. I wonder if 601 Main has Kwok family backing? I have my doubts. Despite the proposal being way out of scale for Chinatown, the Kowks don’t do cheap little buildings like this. This is waaay beneath them.
Andrea C.
October 20, 2011 at 11:44 am
Lisi, please see my reply to you below “Charles” “contribution”. Sorry, I missposted.
Lisi
October 20, 2011 at 1:41 pm
I have the same doubt too, Andrea. I think I brought up Westbank’s linkage with the Kwok family because I was wondering if Brent Toderian has the cultural sensitivity to deal with people from a rather different cultural background, which may not be relevant to the 601 Main rezoning.
The architect for 601 Main is W.T. Leung Architects Inc.(http://www.urbandb.com/company/w-t-leung-architects/), with a record of building high rises. 26 senior housing units will be created but the area will lose more than what is given as “public amenities.”
Charles
October 20, 2011 at 5:22 pm
Hi Andrea: thanks for yours, however factually impaired it is. During the years PTAS worked with Marc Williams, he put some $60,000 into building upkeep and (chiefly) roof repair. If you were among the 2000 people who toured the theatre in that period (including every member of City Council), you will have seen for yourself the condition in which it was kept.
For a 104-year old building, one that had no heat since the pre-Williams owners removed the boiler, and crackheads broke in and stole all the copper plumbing — leaving the water running in the basement for about 6 months until Williams bought it, and stopped the flow — it was in remarkably good shape.
The roof was attacked twice.
First, by a lunatic who crawled out from the Regent and smashed a parking meter into the roof, took off his shirt, turned it into a flag and danced around it; and, second, by some lovely people who threw flaming garbage out their windows (also at the Regent) and set a fire on top of the fly tower.
Strange you didn’t mention these incidents… perhaps you forgot.
BTW: feel free to contact the VPD and the VFD for the incident reports, as you’ll not believe a word otherwise — and likely not then, either.
Dozens of people worked their tails off to try to save the Pantages. Thousands saw the incredible possibilities.
Too bad you weren’t among them.
Lisi
October 20, 2011 at 10:25 pm
The more details I read about the Pantages, the more uncertain I am about how to judge.
Charles
October 20, 2011 at 11:09 pm
Hi Lisi: yours is, in my view, a decent and fair-minded comment. The Pantages was complex in implementation, but brilliant in its simplicity.
At one time, there were TWELVE theatres in the DTES and Chinatown. The Hastings Corridor was our Great White Way, our 42nd Street. It was a marvel. Then, only the Pantages (b. 1906) was left.
If some nitwit tries to tell you that it was deliberately run into the ground, talk to Christopher Gaze, or Dal Richards, or Joy Coghill, or Dalannah Bowen, or any of the 400 people in attendance one magical February afternoon 3 years ago.
On that day, these great artists gave a concert in the Pantages. They did it to show people how the theatre would look and sound when restored and alive again. It was an astounding event.
EVERYONE there that day saw how the Pantages could have been re-invented, and saved for the people. Prof Rogatnick’s endowment gift of $1 million would have made it affordable for the good people and artists of the DTES.
I hope you will not believe a word of the nonsense being peddled by ideologues, or by apologists for the City. Marc Williams, and the non-profit PTAS, tried their damnedest for over FOUR YEARS to save that beautiful house. To build a new lobby. A 99-seat black box. A community art gallery.
And 136 units of social housing. 136! It was an amazing project.
Those who are poisoned by ideology will never accept the facts. So… talk to Dal and Dalannah, Christopher and Joy, and the 400 people there that day. They will tell you what it was really like.
They will tell you what could have been. It was wonderful.
Charles
October 20, 2011 at 11:26 pm
Please permit one final address of fact.
The entire records of the Pantages Theatre Arts Society — the lease agreements, the $1 million Endowment documents, the highly detailed 186-page Business Plan submitted to the City, insurance, roof repairs, gate repairs, receipts, police and fire reports, break-in reports, work diaries, the theft of all of the copper plumbing, photographs of the attacks on the roof, hundreds of photos, hours of video, guest books with hundreds of names, e-lists with more than 2000 names — all of these documents have been preserved.
They are now being catalogued.
They will be donated in their entirety to the Museum of Vancouver. There, anyone may study for themselves the documented history of this magnificent project.
There are still a few boobs who tell lies about the Pantages Project. Those who wish to find out for themselves will be able to read the files and decide on the basis of fact. Documentation. Fact.
The Pantages Project would have been a fabulous asset in the DTES, and for the City of Vancouver.
Those who voted against it should be ashamed of themselves.