Vancouver Mural Festival, at the core of its structure, does not represent a culturally diverse or marginal perspective as you might expect from a mural festival. Instead it is the initiative of a group of predominantly white men who have built alliances, not with the everyday people of Vancouver, but with real estate developers, Business Improvement Associations (BIAs) and the City government.
As Canada 150 draws nearer, those committed to supporting Indigenous sovereignty and dislodging the power of colonialism are faced with the task of dispelling the myth of Canada as a benevolent nation. While the expanding grip of neoliberalism has given rise to a reactionary global right-wing populism, the violence of supposedly “progressive” liberal settler-colonial states has fallen through the cracks of popular analysis and comprehension.
In 2008, Gregor Robertson built his successful mayoral campaign around the tragic death of Darrel Mikasko, a homeless man who burned to death trying to keep warm after being turned away from a Kitsilano shelter. But while Gregor was campaigning on a soon-broken promise, low income people in the Downtown Eastside were actively fighting against a new threat of displacement posed by Concord Pacific – this time on a property down the street from Woodward’s. The address was 58 W Hastings, evicted and demolished (“demovicted”) by Concord Pacific that same year.
The main thing I would like to do today is to concentrate on the question of where the history of racial scapegoating in Vancouver originated. To do that it’s important to begin from the beginning. One thing that I find helpful in these conversations is to think about the question, “Who belongs here?” – “here” meaning where we are in Vancouver, but also in Canada in general. Many of you have probably heard that Canada, Australia, New Zealand, and the United States are settler colonies that were built around white supremacy as a way determining who does and does not belong.
