Eccentric, Polymorphous, Abstract: Vancouver Art and other Mythologies of the Near-Future

Andrew Witt January 14, 2017

In the central rotunda of the Vancouver Art Gallery, Alison Yip has constructed a mural of a ruined gazebo. Rendered in trompe l’oeil, Yip’s Gazebo (2016) is a scene sensed at twilight. Occupied by skunks, foxes, overgrown weeds, garden tools, and a raft of mythological figures, her vision is steeped in a strange mingling of dream, nature and everyday domesticity — reminiscent of the murals in Robert Altman’s unnerving film, 3 Women (1977). In one panel, the side profile of a figure is composed from an array of cleaning tools; another pictures a long garden hose snaking across a lurid yellow ground, spurting water erratically. Yip’s gazebo is no west coast arcadia, where nature is imagined to exist in a harmonious relation to its subjects. In fact, the central figure of Gazebo is the veiled goddess Themis, the blind goddess of Justice, whose furtive presence suggests a persistent and speculative haunting.

Vancouver Mural Festival is caught up in gentrification

Zachary Hyde October 5, 2016

During the last weeks of August, many Vancouverites spent time checking out the city’s first annual Mural Festival – an exhibition of 35 murals by over 40 local street, graffiti and mural artists mostly clustered around the lower Main Street corridor. The event was sponsored by a $200,000 grant from the City of Vancouver, with additional support from Mount Pleasant BIA and Burrard Arts Foundation

Too Fun City

Jonathan Kew and Josh Gabert-Doyon September 12, 2016

Last spring, an Economist article declared Vienna, Geneva, and Vancouver to be “mind-numbingly boring” cities. The concept is well worn. The author of the article doesn’t claim to be making some grand statement on Vancouver. Nonetheless, Vancouverites responded explosively. A lot rests on our city being desirable. There’s a looming sense that somehow this matters. Even in local artistic communities, defined by a sort of rejection of the placid kind of fun that Vancouver offers, musicians and artists and label-heads are quick to reject the title “No Fun City.”

Yuppie Gazing Tour in the DTES turns the gaze on gentrifiers

Karen Ward August 16, 2016

A small media storm emerged last week after a profile of Socially Responsible Vancouver tours appeared in Travel section of the Toronto Star. Since 2014 the tours have charged tourists $185 per person ($195 for two people, and $275 for a group of 10) to view the Downtown Eastside.

Today we took to the streets and reversed the narrative by leading a “yuppie gazing tour.” Our message was that we’re not okay with poverty tourism. We flipped the script and made rich people into the subjects of our gaze, marching through Chinatown while chanting, “Downtown Eastside is not a safari, drive away in your Ferrari”

Battle of 58 West Hastings: The History of a Fight for Housing, 2007–Present

Kai Rajala and Nathan Crompton July 27, 2016

In 2008, Gregor Robertson built his successful mayoral campaign around the tragic death of Darrel Mikasko, a homeless man who burned to death trying to keep warm after being turned away from a Kitsilano shelter. But while Gregor was campaigning on a soon-broken promise, low income people in the Downtown Eastside were actively fighting against a new threat of displacement posed by Concord Pacific – this time on a property down the street from Woodward’s. The address was 58 W Hastings, evicted and demolished (“demovicted”) by Concord Pacific that same year.

Only fraction of new social housing units in Vancouver guaranteed for low-income people

Gabe Boothroyd May 31, 2016

In their annual Housing and Homelessness Report Card, the City of Vancouver reports that 1,683 units of new social housing are in development or have been built since 2012. Yet based on research by the authors, under 6% of the new social housing is guaranteed for people on welfare. The vast majority of Vancouver’s “social housing”, therefore, will be unavailable for the 1,847 people reported as homeless in Vancouver this year, the highest number since counts began.

You are invited to the Volcano’s Spring Fundraiser

Editors April 14, 2016

The Volcano is an independent printed newspaper in British Columbia distributed four times a year. The Volcano reports on low-income, working-class, and Indigenous peoples’ movements for justice throughout BC, supporting their resistance against structures of poverty and displacement. We hope you will join us in supporting this important publication, which continues to impact movements for justice within and between communities by amplifying their analysis and demands.