Model of False Creek 

Bob Ransford has recently published yet another article in the Vancouver Sun repeating his mantra that the affordability crisis in Vancouver is caused by a lack of private development. The logic goes as follows: Demand for new housing is exceeding supply, yet the people of Vancouver are preventing affordability by fighting against the development industry’s bid to add more supply. “The solution is simple,” writes Ransford, “more supply equals more affordable housing.”

In the midst of an affordable housing shortage, including a virtual freeze on the construction of non-market housing, it goes without saying that Vancouver needs more housing. The question to ask, however, is do we need more private housing development? After decades of increased housing prices, growing household debt, and growing urban inequalities, now is a good time to re-evaluate the role of the private sector in providing one of the basic necessities of life: housing.

Read Full Article →

Beyond the highly publicized and debated issues that pertain to Vancouver’s visual and physical space, mainly focused on the much publicized Downtown Eastside, there is a competition for sonic space that has gone largely unnoticed. Noise Pollution caused by the rapid development of condominiums dominates Vancouver’s soundscape, while the relatively minor sound intrusions of live music — in the streets, in public venues, or private spaces — is regularly restricted by city officials. This discrepancy exists largely as a result of Vancouver’s Noise Control by-law, which has a strong bias towards developer-friendly regulations, and shrouds musical/cultural sound policy in a cloud of ambiguity, hyper-regulation and selective enforcement.

In the spring of 2012, the City of Vancouver’s engineering department passed a revealing by-law. It stated that no longer could bagpipes or percussion instruments be played in the streets of the city. The engineering department claimed to have based their decision on “noise concerns”, but whether or not they were conscious of it, their disruption of legitimate street music was actually ideologically motivated. There is a trend in Vancouver toward anti-cultural and pro-developer policies concerning noise.

Vancouver's Wall Street

2013: THE YEAR OF EVICTIONS

After the predatory spectacle of the 2010 Olympic Games, a state of precarity and relentless eviction has become the norm in Vancouver. A landmark example was the closure of the Waldorf Hotel, and since then casualties have piled on top of each other like a sea of ivory in an elephant graveyard: VIVO Media Arts Centre, the Junction, ROYGBIV, Nowhere, Spartacus Books (temporarily reversed), to name just a few. Although each case is different, these evictions are a result of a pernicious mix of excessively high rents, restructured state funding, profit-driven renovictions, and an apathetic city council who turns a blind eye to slumlords and developer greed while maintaining an absurd regulatory protocol for cultural space.

EDITORIAL. This year marks 100 years since the dispossession of the Kitsilano Reserve. Today also marks the renewed displacement and dislocation of diverse communities in East Vancouver, with the intensification of  land struggles in Grandview-Woodlands and the Downtown Eastside, two areas of the city with diverse indigenous communities. This article argues that the 1913 destruction of the Kitsilano reserve is connected to the present through a past that has, in fact, never been resolved.


False Creek Indian Reserve, Granville and C.P.R. Kitsilano bridges, the McCreery and Johnston residences and a cannery ca. 1880 [1]

In 1971, the Downtown Eastside was officially designated a “historic area” in the City of Vancouver. In addition to neighborhoods like Shaughnessy — which for decades received special status for planners and politicians — Gastown was singled out as a founding neighborhood of the city. Today Gastown is the epicentre of city-backed revitalization, pushing into neighbouring areas DTES and Grandview Woodlands,  with a concerted attempt by planners to make the old into the new. The attempt to repackage the past, however, makes the real stakes of history more relevant than ever.