For years, an empty lot at 58 West Hastings has been at the centre of a fight for social housing in the Downtown Eastside (DTES). The present article covers the years from 2016 to 2018, detailing the City’s efforts to defer and ultimately dismantle the promise of 100% welfare- and pension-rate housing at 58 West Hastings.
The fight for 58 West Hastings escalates in historic May Day action: “We, the poor and the homeless of the Downtown Eastside will not sit idly as our elected officials deprive us of the housing we need.”
A coalition of Vancouver tenants, including artists, activists, and community organizers are planning an alternative tour and protest of Westbank’s Fight For Beauty exhibition.
Vancouver Mural Festival, at the core of its structure, does not represent a culturally diverse or marginal perspective as you might expect from a mural festival. Instead it is the initiative of a group of predominantly white men who have built alliances, not with the everyday people of Vancouver, but with real estate developers, Business Improvement Associations (BIAs) and the City government.
While arts and culture aren’t bad things, governments and developers have increasingly instrumentalized them as a way to stimulate market value in marginalized and working class communities. Under intense pressure by the City to develop, BC Artscape is the latest wolf in sheep’s clothing making an incursion into Chinatown.
On a cold Saturday night in January a haphazard line-up has formed outside the Fox Cabaret. Everyone is underdressed – young women with leather jackets draped over tank-tops and men with tight black jeans, thin t-shirts, and undersized polo hats. Above, the refurbished façade glows red, hinting at the building’s previous incarnation as a worn-down porn theater. However, the crowds outside are not here to enjoy “adult entertainment,” they have come to dance at one of Vancouver’s up-and-coming nightclubs.