The various iterations of the “Escaping Vancouver” narrative share a core unexamined underpinning: the idea that I, a hard-working, usually white, middle class person, did everything right, became successful, and yet am still unable to afford to live in the city of my choice. We must challenge the embedded privilege that characterizes what might be termed “middle class self-help advocacy”—the tendency to rely on individualized solutions to collective social problems.
It’s the end of ‘’Gregor’s decade.’’ Are we standing at the possible threshold of a new era in […]
For years, an empty lot at 58 West Hastings has been at the centre of a fight for social housing in the Downtown Eastside (DTES). The present article covers the years from 2016 to 2018, detailing the City’s efforts to defer and ultimately dismantle the promise of 100% welfare- and pension-rate housing at 58 West Hastings.
The fight for 58 West Hastings escalates in historic May Day action: “We, the poor and the homeless of the Downtown Eastside will not sit idly as our elected officials deprive us of the housing we need.”
A coalition of Vancouver tenants, including artists, activists, and community organizers are planning an alternative tour and protest of Westbank’s Fight For Beauty exhibition.
Vancouver Mural Festival, at the core of its structure, does not represent a culturally diverse or marginal perspective as you might expect from a mural festival. Instead it is the initiative of a group of predominantly white men who have built alliances, not with the everyday people of Vancouver, but with real estate developers, Business Improvement Associations (BIAs) and the City government.