Tomorrow, June 30th, Vancouver City Council will decide whether to seek legal injunctions to force repairs of the Palace and Wonder single-room occupancy (SRO) hotels in Vancouver’s Downtown Eastside.

The living conditions in these buildings are intolerable. The City report mentions that the Wonder Rooms is in an utter state of disrepair on account of being neglected by its owner. The City found Wonder Rooms to be in violation of 141 Standards of Maintenance Bylaws and 24 Building Bylaws including, for example: “The entire basement and first floor are littered with rat feces and smell very strongly of rat urine.”

Unfortunately, these conditions are representative of many residential tenements in the Downtown Eastside, where landlords increase profits by avoiding maintenance costs. Despite the poor state of repair, owners get away with charging unusually high rents because there is nowhere else in the city for low-income tenants, who are often subject to housing discrimination.

There are about 10,000 low-income housing units in the Downtown Eastside, and a full half of these are SRO hotel rooms. Of those 5,000 SRO units, 1,500 have been purchased in recent years by the Provincial government (although the majority of these still languish in terrible disrepair). Housing advocates have long argued that these 5,000 SRO units must ultimately be replaced with self-contained social housing as soon as possible. The Carnegie Community Action Project (CCAP) has calculated that, at the present snail pace, it will take governments over 50 years to replace the units! CCAP is calling for the units to be replaced with real homes in 10 years or less.

For housing conditions to improve for those in SRO hotels, several things should happen. First, pressure should be brought to bear on the owners. The City must enforce building bylaws as rigourously in the DTES as in Shaughnessy. In the case of the Wonder and Palace hotels, the Downtown Eastside Neighbourhood Council (DNC) is calling for maximum fines to be applied. The Wonder Rooms alone incurred so many violations that if maximum fines are sought, the owner could face $30,000,000 in fines since the Mar 31 2011 repair deadline! That is enough to incentivize construction of 7,000 affordable units throughout the city.

A found public art piece on the Rize site, with the caption DEC 25. A fire, still suspect by many Mount Pleasant residents, burned down retail and artist’s studio space here on Christmas Day, 2009.

For far too long artists and other cultural producers have served as passive scapegoats for critics of gentrification, who spurn the rise of the so-called “creative class” and their role in urban redevelopment. In a recent article for eflux Martha Rosler takes a cue from Sharon Zukin, writing that in times of massive urban redevelopment, “artists and the entire visual art sector—especially commercial galleries, artist-run spaces, and museums—are a main engine for the repurposing of the post-industrial city and the renegotiation of real estate for the benefit of elites.”

Zukin’s blueprint, initiated with Loft Living: Culture and Capital in Urban Change (1982), is often misunderstood as an organic and natural process. Here, artists are framed not simply as an artistic vanguard that sets the tone and beat for cultural production, but also an economic force instigating the first wave of gentrification. As the oft-misrepresented story goes, cultural producers fill-in inexpensive lofts and retail space in poor neighborhoods, making them more attractive for young urban professionals fueling the real-estate industry. Troubled by the initial identity and politics of the neighborhood—working class, poor, or no identity at all—developers latch on to these markers of indistinction and carve out a coherent, docile identity founded on the empty signifiers of consumption. While the working poor move to the suburbs and inexpensive areas of the city, the very same cultural producers who set the trajectory of the neighborhood are in time kicked to the curb as the rising cost of living moves in lockstep with the consumption habits of urban professionals.

Certainly, Rosler is correct to claim that artists are “passive” agents in the process of gentrification, yet to lay blame on cultural producers alone would miss the target altogether. As the English Urbanist Max Nathan states, “creativity and cool are the icing, not the cake.”

Any rigorous analysis of gentrification at any level requires that we chart the explicit relations of capital (represented here by developers and speculators) and the apparatuses of the state (municipal governance, city planners, police, etc.). While the state actively produces cycles of disinvestment and uneven development, it is capital that takes the advantage of buying low, sending investment into uncharted terrain. There is a mutual relationship of two forces that purposefully props up gentrification as a viable planning option for entire city neighborhoods. What is less clear within this dynamic, however, is the direct link between the rise of the passive and post-ideological cultural producer and their complicit connections to real estate speculation.

In the 2008 election, Vision Vancouver and Gregor Robertson recognized that to win an election in progressive Vancouver, politicians needed to talk the talk of progressive politics. For Vision this meant rallying Vancouver around the bold idea of addressing the housing crisis and Ending Homelessness. Electorally, it meant a compromise with COPE, Vancouver’s traditional progressive party. COPE and Vision would work together under the “big umbrella” of progressive change, with COPE running only two councilors.

Today, after three years of a Vision majority on City Council, the progressive spirit chosen in the 2008 municipal elections is nowhere to be found. The party who promised to end homelessness and address affordability has turned out to be its mirror opposite, giving millions in tax breaks to developers, decreasing the corporate tax rate to the lowest in the world, forcibly closing homeless shelters, cutting services, hiring millions of dollars of additional police officers, and deepening the affordability crisis at every possible turn.

This month, the members of COPE will have to decide whether or not to enter into another electoral deal with Vision. Members will be presented with that choice at a COPE general meeting on June 26, 2011. Here are ten reasons COPE members ought to reject the deal as proposed, and instead support an independent progressive party in the 2011 municipal elections:

1. Affordable Housing….

Vancouver City Council’s two standout issues in the first half of 2011 landed for wrap-up on the same afternoon of 19 April 2011 as Unfinished Business.

Dozens upon dozens of speakers had come out for the public hearings on development proposals for their adjacent areas: Northeast False Creek and the Chinatown portion of the Downtown Eastside. Postponement of conclusion to a daytime afternoon meant that few of those speakers had the live opportunity to watch Council’s discussion and decision.

The Northeast False Creek items ran for eight sessions between February 17 and April 10. Out of a total of 193 speakers, 114 were recorded as “in opposition” — 59% against. Zoning for new height in Chinatown ran for five sessions between March 17 and April 14. Out of a total of 112 speakers, 82 were recorded as “in opposition” — 73% against.

Comparison of these two issues and their outcomes offers striking lessons in social class, exercise of power, and switcheroo politics of deferral. In both cases, affected local residents spoke up to defend the interests of their own communities, with considerable support from other concerned people across Vancouver.

The Northeast False Creek situation brought together a spectrum of formally educated professionals who rallied to the issue of gambling expansion under the leadership of the Vancouver Not Vegas coalition. As early as the February 9 public forum, it became apparent that focus on Council’s power to approve or disapprove gambling expansion would be key strategy. And that proved to be the wedge that made it possible for Council to intervene, at least in appearance. Along the way, Concord Pacific’s years of egregious foot-dragging on agreed-to amenities emerged as a strong secondary concern.